For IvoryMist and others who have brought up the subject--there were several little 'stumbles' throughout the song, and I can't help but wonder if some of that 'coaching' Susan received may had a bit to do with it.
Here's why: it is VERY difficult to begin a song rather sotto voce and hit the pitch perfectly plus maintain a nice, even tone while feeling the 'pressure' of nerves. Susan had problems there, but recovered, and even managed the second verse very nicely while singing it quite softly! That first verse needed to be sung more like she usually sings--definitively. But she may have been coached into trying this other approach. I felt it didn't work well at all for her; the effect just wasn't good.
Pity about the time limitations, because without the little 'second chorus' which ends with '...the memory is fading', right before that ascension up to 'touch me, it's so easy to leave me...' the song musically didn't make good sense. I doubt Susan had much say, in what 'cuts' had to be made in the song. But I was disappointed in this greatly whittled-down version. I HOPE she records a full version of it, sung true concert-style! That would be purely amazing!
The very low chorus part, Susan sang exceptionally well! BETTER than anybody else I've heard! Again--only wish she'd been allowed to include the final chorus part, too, which has different words, but lies in that same range!
It seemed to me as though she may have been told by the vocal coach to 'hold back', to 'not over-sing' etc, because there were more bobbles in the final portion, as she toned it down a bit after nailing the first part of it. Again--unless a singer is incredibly well-trained for many years, it is VERY hard to sing this section totally on pitch and in good tone without going full voice and remaining there! (I oughta know--this song is one of MY favs to sing, too. And I have nowhere near Susan's voice, lol!.)
I only hope Susan won't be forced to sing 'Memory' like this if she performs it on the tour, or when she records it. If she is ever going to 'act the part' a bit, that needs to be reserved for when she gets around to taking on the role of Grizabella in the actual musical, should 'Cats' be revived.
A concert performance of a musical theatre song needs to be sung entirely differently than during an actual music theatre performance. Susan has this incredibly rich, big voice with a gorgeous timbre, and she ought to be allowed to USE that, rather than be asked to begin any song in such a wimpy fashion. She has shown she can sing softly as well as full voice and retain her excellent sense of pitch, but it appears that for her, she needs the freedom within a song to begin as strongly as she feels will comfortably start her off in the right direction.
I hope this makes some kind of sense. I'm just trying to figure it all out, myself. Because--I kinda feel maybe Susan got a bit 'lucky' with tonight's voting. (Please don't hit me.) I just want her Finals song to 'sound a lot better'. She deserves that, and I know she can do it, too. We've heard her do it before!